Stop-motion stories for independent brands. We turn objects, paper and everyday materials into films with a personality all their own.
Find your kind of motionProduct loops · Short films · Campaign motion
A satisfying movement built around a single product or gesture. A lid opens, a shape transforms, a collection falls neatly into place. Designed to return naturally to the first frame.
A beginning, a little surprise and a memorable finish. We use props, sets and frame-by-frame movement to introduce a product, explore a feature or bring a brand idea to life.
A connected set of motion pieces with shared materials, color and rhythm. Plan the main film, shorter edits and different crops together so each piece feels part of the same world.
The crease in a paper backdrop. The weight of an object. The pause before something tips. Those details give motion its feeling.
Our approach starts with the product and the idea it needs to communicate. Then we choose the materials, movement and framing to support it. Playfulness has a job to do.
See how a film takes shape ↗Define the audience, the product and the one thing the viewer should remember. Identify where the film will live.
Explore a visual direction, storyboard and material palette. Agree on the concept and planned outputs before production.
Build the scene, test the movement and capture it frame by frame. Timing and sound bring the sequence together.
Review the edit and prepare the agreed crops and exports. Plan text placement and looping behavior for each destination.
You don’t need a finished concept. Start with what you’re showing and where people will see it.
This brief builder turns a few notes into a project outline you can copy and keep.
This is a planning tool, not a submission form. Your entries stay on this page and aren’t saved when you leave.
No. A product, an audience and a clear purpose are enough to begin shaping one. Useful extras include your brand guidelines, examples of the tone you like and the channels you plan to use. The brief builder above helps organize those first thoughts.
Stationery, home objects, packaged goods and accessories offer plenty of possibilities. Size, weight, reflective surfaces and fragility affect the production approach. Paper models or illustrative props can help tell a story when moving the product itself is less practical.
Often, if the formats are planned early. Vertical, square and wide compositions each need room for the product, movement and any text. Decide the main destination first, then include the other versions in the production scope.
Set construction, the number of scenes, movement complexity, film length, sound and the number of final versions all influence the scope. Product availability and review stages matter too. A production estimate should follow an agreed brief rather than a generic package.
Concept, color and composition are easiest to change during storyboarding. Once a physical scene has been animated, changes to the action can require another shoot. Agreeing on review points and revision scope before production keeps those decisions clear.